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HER EXHIBITION
Especially for this event we've given the space for members of HER Collective to show their work during an exhibition.
You can find more information about their work here.
ANNE-SARAH
DIJKHORST
This work is here to remember all women of their power. The power of nature as our religion and the wisdom that lays deep within our cells. We are the creators of life and that just says it all. What would it look like if this world was a thriving matriarchy? Would mother nature blossom? Would we live in harmony? Would there be enough for everyone? What will happen if we all remember our true power?
Changing the narrative of womanhood. Celebrating rites of passage, cycles, pregnancy, birth, imperfections and growing older as an enrichment in life.
This work was created by Anne Sarah Dijkhorst (photographer and art) and Milva Willemsen (movement and art).
COLINA
VAN BEMMEL
DANCE TO EARTH
Experimental dance film on the interconnectedness between the human body and the natural world. Are we slowly loosing touch with our animal bodies? With this visual poem I wanted to explore how we can connect with our physical self. Music and dance can act as tools to break free from a more rational reality. To come back to a state of being that appears to have been left behind in our daily lives, yet one that we crave in order to feel truly alive.
I am fascinated by the current technological developments, but I think we need to understand true embodiment before we explore what is beyond. Right now it is more important than ever to stay grounded and realise how we are part of a physical world, a natural world. Film is an interesting medium to explore the body with, as it bridges the physical and digital.
JITSKE
NAP
BOLLYWOOD IN AMSTERDAM WEST
When Jitske met Juanita Koerts (35) while studying at the Amsterdam Fashion Institute, she was captivated by her vibrant style and playful energy. Invited to Juanita's birthday celebration in Amsterdam West, Jitske stepped into a world reminiscent of India. Juanita had transformed her modest apartment into a kaleidoscope colors and patterns. Inspired by Juanita's artistry, Jitske decided to document Juanita in her beautiful space.
Juanita, with Indonesian heritage, fell in love with Bollywood movies during a visit to her family in Indonesia as child. While studying fashion and design at AMFI, she found herself increasingly inspired by the aesthetics of Bollywood, prompting her to venture into Bollywood dancing. Juanita discovered her natural talent and now teaches this expressive art form to both children and adults.
Another profound inspiration in Juanita's life is the renowned artist Frida Kahlo. Juanita sees Frida as a living work of art and aspires to embody that same spirit within herself. Just like Frida, Juanita recognizes the transformative power of clothing. She uses fashion as a means to uplift herself and those around her, creating an atmosphere of positivity and self-expression. By embracing both Bollywood and Frida Kahlo's influence, Juanita has become a living tapestry of vibrant artistry and cultural fusion.
Photography: Jitske Nap - @jitskenap
Styling: Juanita Koerts - @bloomleela.bollywood.dance
MUAH: Isabel Montoya - @isabel_artist
LEANNE
VINK
Voor muziekartiest Sterre Nacca creëerde Leanne een visualizer die emotie oproept en confronterend is. Sterre haar nummer Oversteken gaat over het moeilijk hebben en de raakvlakken met jezelf vinden en gelukkig zijn. In deze visualizer laten we de harde confrontatie en de worsteling zien die Sterre met zichzelf heeft.
Het idee van Leanne was om levende schilderijen te maken, waarbij ze de grens tussen kunst, fotografie en video overschreed. In plaats van te focussen op het vertellen van een doorlopend verhaal, moest elk shot als een apart verhaal kunnen functioneren en emotie kunnen overbrengen.
Zo is de spiegel-scène een weerspiegeling van hoe we als mens met bepaalde situaties omgaan. Door te spelen met scherven van spiegels, reflecties en vervormingen krijg je een abstract beeld van het zelfbeeld. Een gebroken spiegel vertegenwoordigt een onvoltooide puzzel, de overblijfselen van wat zou kunnen zijn.
Scherven brengen geluk, maar met een spiegel die breekt, zullen de eerste gedachten zelden positief zijn. Zo kijkt Sterre naar haar eigen vervormde spiegelbeeld. Hoewel ze naar zichzelf kijkt, kan ze het volledige plaatje zien? Dit weerhoudt je ervan om bepaalde keuzes en stappen te maken. Je grootste obstakel ben je zelf.
Verderop in de video zien we hoe Sterre zich stevig vastklampt aan één scherf. Vaak kiezen we om een bepaald deel van onszelf te bekritiseren en te analyseren en vergeten daardoor de andere aspecten. Daar houden we vervolgens zo lang aan vast, ook al kwelt het je.
Vanwege deze nieuwe golf van de manier waarop we content tot ons nemen en omdat Sterre een vrij nieuwe artiest is, is er besloten om vooral te concentreren op het brengen van de doelgroep naar diverse social media kanalen, in plaats van alleen naar youtube. Door dat te doen moesten we een grote omslag maken in de manier waarop we video's produceren en ons richten op de doelgroep. Dat betekende overschakelen van 16-9 (horizontaal) naar 9-16 (verticaal) video beeld.
Daarnaast wilde Leanne spelen met de inzetbaarheid van de video. De video moet op oneindig veel manieren bekeken en afgespeeld kunnen worden. Door het eerste en laatste schot met elkaar te verbinden, werd een oneindige loop gevormd. Dit reflecteert terug naar het echte leven. Je loopt altijd tegen dezelfde problemen aan als je niets doet. Om de cirkel te doorbreken, moet je actief werken aan verandering.
MARIA
CAVALLI
WE ARE MARY JANE
The "We Are Mary Jane" project celebrates the contributions of women in the cannabis industry and aims to empower them for a more inclusive future. Developed by the Hash Marihuana & Hemp Museum in Amsterdam, this initiative recognizes the historical role of women in shaping the cannabis world and explores their potential as industry leaders.
Empowering Women in a Male-Dominated Industry:
Breaking gender barriers, the project encourages women from diverse backgrounds to thrive in the cannabis industry. By highlighting opportunities in medicine, sustainability, and marketing, it empowers women to explore their potential and make significant contributions to the field.
Inspiring Advancement and Representation:
The "We Are Mary Jane" project inspires women to pursue careers and leadership roles in the cannabis industry. Through workshops, discussions, and mentorship programs, it provides a supportive network to navigate the industry and achieve equality and empowerment.
Conclusion:
The "We Are Mary Jane" project empowers women in the cannabis industry, recognizing their historical significance and inspiring them to shape its future. By highlighting trailblazers, unveiling hidden histories, and providing support and opportunities, this initiative fosters a more inclusive and equitable landscape for women in cannabis.
MONIKA
VASKOROVA
CARLY
"Carly is a video portrait of a friend. A simple short documentary about thoughts on life and work."
OTTILIE
MATERS
O.T.A
The documentary O.T.A. (Open To All), Portraits a part of the Dutch Ballroom scene and uses it to discuss (self) acceptance in today's society. It tells how an N.Y. counterculture became a well-connected global community spreading awareness and teaching self-empowerment to those seeking it.
O.T.A. touches on issues like today's take on gender expression & education, discrimination, self-acceptance, cultural appreciation, and activism. Empowering people and the need for a "safe space."
With the narration of Amber Vineyard, the film features interviews with kids of the House of Vineyard and ICONS, MOTHERS AND FATHERS of the current ballroom community from New York, such as Archie Burnett, Sinia Braxton, Leiomy Maldonado, DJ Vjuan Allure (R.I.P), Photographer Chantal Regnault and kids like Gaby Vineyard, Thorn Vineyard, and Aitana Mc Cartney.
Regie & Camera OT (ottilie maters) Edit Chris leete & Phillip Muller.
WOVEN STORIES
Woven Stories is a short film that poetically portrays how past, present, and future can merge through imagination and interpretation. The film is an ode of gratitude to designer Mirjam Manusama's roots and a look into how she used these, next to different art media, to manifest her art.
Regie OT, co-created with and based on the story of Mirjam Manusama. Co-production Trip To The Moon Films. Voice over Mirjam Manusama, Music by SirOJJoris Titawano & Giovanni "JAEL" Jano Fatbinan.
TIRZA
LEMPERS
IN SEARCH OF HUMANNESS
To be human is to be part of this community called human beings. We tend to forget that. Tirza wants to remind us that separation is a falsehood, and inclusivity is not something to search for, it is inherently present, it’s at the core of our being.
The conversations Tirza (30) had with her subjects and the energy that was exchanged affirmed this, time and time again. They came from all kinds of backgrounds, some were strangers she bumped into, some were familiar.
They were the ones Tirza was drawn to, amidst the isolating period of the pandemic. In search of humanness, she took to the streets with her analog camera. She used her tool to connect with her subjects. Unconsciously she was trying to restore her hope in humanity, in people as co-dependent, caring beings that hold the fabric of this world together.
Reflecting on those encounters, she started to unveil what was underneath: the collective need of all of us to be heard and seen. By eachother. That’s what makes us human and that is precisely what Tirza hopes to stir in the viewer.
YVETTE
DE WIT
I love to create photo series with a team and host multiple expositions and events at my church. Photography has brought me to amazing places over the world and allowed me to meet many interesting people and explore their world which in exchange made my own world broaden. From shooting for Nescafé in Berlin to sailing and shooting across the Mediterranean for the Yachtweek. Shooting real-estate in Bali and California to shooting for Ikea in Singapore. I love to capture emotion or message through a photo and capturing sceneraries in a different, spontaneous way.
